Experts and Virtual Field Trips

This week students in my class are working to creative an advertisement about an art museum of their choice. We talk about design elements and how to create an effective layout. I really wanted to bring this lesson to life for them so I used a very special video and a web tool to create more interesting virtual environment. 

Interview with an Expert: The notion of bringing in an expert to your classroom to act as a guest teacher or speaker on a specific topic is not new. However, this is something I haven't physically been able to do in my class. Because I am talking to them about graphic design I thought it would be neat to "bring" a graphic designer in to speak with them. While it is easy to find a video online where a graphic designer talks about what they do (this is what I used to show), I wanted something more personal. So, I created a video just for them with the help of my mom (a graphic designer). Students responded very positively. In their notes for the day, they all seemed to recall information the expert had shared with them in higher frequency than the information I lectured about.

Virtual Field Trip: At the beginning of my class, I asked how many of my students had ever been to an art museum. Many of them hadn't or if they had it was a long time ago. I wanted to start the lesson with something neat and also help remind or show students what visiting an art museum might be like. Thanks to Google Art Project this is possible. Students were able to virtually explore the MOMA and share their reactions. They were excited and had so much to say about what they saw! This tool has many great applications in the art classroom so I encourage you to check out all that it has to offer.

New ideas are what keep my classroom exciting for students and this lesson was really fun to teach. I hope these ideas help spice up your classroom (virtual or not) as well!

When it Doesn't Work

Most often when I write in this blog, I am writing about the positive things that are working in my classroom. But let's be honest, not everything we try in our classrooms is successful. Yesterday I taught a lesson that I have taught before but I received very different results. In this lesson I have students critique a piece of art for the first time using Feldman's Method of art criticism. They then use what they have practiced to critique their classmates' portrait drawings. I have written about critiques in my classroom before, and I had grown to believe they were always exciting for students because that is what I have experienced the last 3 semesters I have held them. In previous cases I had students come to class on optional days, beg me for more critiques, and stay over an hour in class just to discuss the work as much as possible. Yesterday, this lesson was a flop. I asked prompting questions and heard crickets. Students were exiting my classroom left and right. The thirst for discussion was non-existent, polar opposite from what I am used to seeing. What went wrong? Is it just a different group of students or it is something more? I looked at the factors that have changed since I last tried a critique. This semester I give students credit for attending my live lessons by completing guided notes. This has increased attendance and seems to improve student performance on quizzes and projects. For this lesson I did not require students to complete any guided notes because I wanted to free up their time to be immersed in the discussion. For some this translated as no credit=no reason to participate or even stick around! This semester I have been teaching Art 5 lessons during the time slot so I have not done my weekly optional critiques for students this semester. These had previously been a very popular time for students to meet and it offered them a social outlet and opportunity to make friends with their classmates. Perhaps these optional critiques showed students that discussing art can be fun, and even something they look forward to. I never realized these small changes could affect the culture of my classroom in such a strong way. The guided notes I have added seem to encourage more students to attend my live sessions and watch the recordings of them, but has it discouraged those students who attend my lessons for social opportunities and the pure pleasure of learning? Too often in our educational system are we focused on the grade and away from what we have learned. How can I both hold my students accountable and remind them that the learning is more important than the grade? An age old question I can't answer, but if you have ideas please share.

Show it off: Literary Magazine Online

Many brick and mortar schools have literary magazines, a publication that is produced monthly/annually that displays the best of student written work and visual artwork. We also have one as an online school. Each school year the teachers in the art department save the best student artwork and submit it at the end of the year for entry into our literary magazine, titled "Keystrokes". The English department collects written work from students. We create printed versions of the publication (limited) as well as an online version that students are able to share with friends and family. One of my Art 1 students from last year created the painting on the cover for 2012. For those of you who have requested to see more examples of student work from my school, check out the 2012 issue of Keystrokes for a closer look! 

Click the image to download Keystrokes

Preventing Plagiarism in the Online Art Classroom

The risk of plagiarism in the classroom is not a new concern. However, we are used to seeing it in the form of writing. In the online art classroom because I do not see my students completing work, I am vulnerable to the risk of receiving plagiarized work from the Internet. Especially with sites like DeviantArt, students have many places online that they could find amateur artworks to pass off as their own. So how do I make sure students are submitting their own work? Part of what I do is pay attention to style and quality of work submitted. If I have a student submit something that is clearly above the level of previous work they have submitted, that is a red flag. If I receive a drawing that has very low resolution (especially 72dpi) this is also a red flag. However, just because I think it is plagiarism does not mean I can prove it. For this, Google image search is a wonderful tool so I have created a step-by-step guide you can easily use if you are ever suspicious about student work.

Step 1:

 

 

 

Go to Google.com and click on Images

 Step 2:

Once in Image Search, click on the camera icon

Step 3:

Click upload image (make sure you save a copy of the image in question)

Step 4:

Click browse and find the image on your computer

Step 5:

Once submitted you will see one of several things. Google may provide you with a best guess of what the image's search terms were (you would then click on the link for "sketches of rooms"). It also will provide you with visually similar images and sometimes the image in question is present right there!

Here is another example of what you may see. Sometimes you won't see the image in the list of similar images but Google will provide you a list of websites where the image is present. If you have the option to click "All sizes", make sure you do as this will widen your search and help catch students who are clever and re-size the image before submitting it.

Aligning to Common Core in the (Online) Art Classroom

As the 2012-2013 school year continues to tick by, we continue to align the Art 1 classroom to meet the Common Core State Standards (CCSS), which will be mandatory by 2014-2015. Though it seems far away, my teammates and I are already working towards 100% alignment. Of course we all still have many questions. We spent last week together in PD brainstorming ideas for aligning our Art 1 curriculum to the CCSS. In many cases we are adding small written assignments to accompany drawing projects. This has lead to some shifts away from reading quizzes and towards short writing assignments. We also have changed some projects to incorporate more ideas of visual communication as a form of writing. As far as CCSS, I am continuing to follow the idea that art is a text meaning students can read artwork as a text and write artwork as a text to meet these standards. 

One of the lessons we’ve changed is the still life lesson. Before: students are instructed to choose 3 objects, set them up in a still life scene, and draw them using 7 different values. After CCSS changes: students are instructed to look at examples of still life paintings/drawings that tell a story. They will choose 3 objects that tell a story (drawing instructions are the same as before) and they must title their still life drawing something that describes their story. A rather small change not only aligns with CCSS but also incorporates more meaning and excitement into this project.

In addition to artwork as a text, it is helpful to know what your school offers in the way of textbooks or online resources to provide students with readings at grade level that go along with your content. 

In the texture lesson, students currently learn the differences between simulated (2D) and tactile (3D) textures and create a texture study by drawing out 4 different textures. We thought this would be a good opportunity to have students look closer at sculpture through an article in Scholastic Arts Magazine. For teachers who don’t know about this resource, it is an amazing way to align to CCSS. It provides articles, images, videos, and even written and multiple-choice assessments for grades 4-12! Right now, all the digital resources including issues of the magazine are free, though at some point will become viewable only to subscribers. We are going to use the section on sculptures from a recent issue to have students write about the role that texture plays in whichever sculpture they choose.  

 Looking at our lessons to align them with CCSS has allowed my team to focus on changing lessons that have been weak in the past. A lesson many students have trouble with is our Cubism lesson. Students learn about the style of cubism and about Picasso and Braque. With this knowledge, they create 2 pieces of art, one that is realistic, and one that is a cubist version of that same subject matter. We discuss the differences and similarities between analytic and synthetic cubism but students still have trouble with this concept, especially when it comes to making their cubist artworks. Thus I have added a reading and sorting activity to this unit to help students spend time looking at synthetic and analytic cubism more closely. Students will get their reading from Encyclopedia Britannica and use the reading to guide them in arranging characteristics of analytic and synthetic cubism into the correct categories.  

Whatever lessons you teach in your art classroom, aligning to CCSS does not have to mean big changes and extra work. Small changes and additions can make your lessons more meaningful and help students succeed.

Making Students Proud

When I speak to many of my students for the first time, they are nervous about taking an art class. They feel they're bad at drawing and that I am going to judge their work on standards set by other students who are "much better" than they are. One of my missions as an art teacher is to help my students become more confident in their work. When they feel confident, they work harder on their drawings which sometimes even translates to work in their other classes. As a student who struggled in the beginning of high school, I didn't really believe I could achieve good grades until one of my teachers showed me I could by helping me earn my first A. After that, I worked very hard to keep an average of A's and B's for the rest of high school and got into my first choice of colleges.
I see many of my students feeling as though they can't succeed and I am striving to find ways to help them feel confident in what they do so they can use this confidence in all aspects of their learning. A couple ways I have done this in my classroom are giving detailed feedback and posting their work for others to see.
When I give students feedback, I make sure it is detailed and includes both positive comments and ways for them to improve (growth-producing feedback!). Because I don't always have the opportunity to talk to every student about each project, my written feedback is where they get this information. 
Some examples of feedback: 
"-------, this is a great start. It looks like you used linear perspective correctly here to create a complex 3-dimensional house. However, your drawing is very sketch-like and looks unfinished. Please spend some more time on this drawing to complete it for an A. (Think about what you can add to the setting, darken up lines, straighten up lines)."
"------, your use of detail is fantastic in this drawing and your house looks 3-dimensional. However, it does not look like you used a vanishing point as your guide. Remember, the vanishing point is always on the horizon line. Please review my corrections and submit a quick sketch showing me you understand how to use a vanishing point in your drawing for an A." For this feedback I also gave the student visual feedback as well to help him improve (see below)

As an online teacher I don't have a bulletin board to display student work so instead I use digital tools. In the past I have used simple HTML pages to display images of student work but I have found a new, exciting tool this year. I use a website called Animoto to create videos of student artwork. As a teacher you can get a free education account if you are a teacher which gives you more video themes to pick from and does not limit the number of videos you can create. This tool makes viewing their artwork and classmates' work fun and engaging and I have had wonderful feedback so far from students and administrators.

The Perks of Data

Pre-test grades earned by students

I am beginning the second week of my semester this week and learning a lot about my students. As I have talked about in previous entries, I have students fill out an “interest inventory” or get to know you assignment at the beginning of my class. This semester, I am also piloting a pre-test that measures what students already know about art. At the end of the class they will take this test again (with some different questions on the same information) to display the growth they have made in my course. My interest inventory has always told me much about what my students wanted to learn and what they already knew, but the pre-test has taken it to a new level. I am now able to gage the level of understanding for specific concepts. I put a question in the pre-test asking students if they had ever taken an art class before, it turns out that 55% have prior art experience while 45% do not. Almost half of my students are completely new to this subject so depending on their interests, they may have never drawn realistically before. I analyzed the data from the test to see what concepts students were widely familiar with and which they were often incorrect about. Students understood foreground, pattern, texture, portraits, primary colors, mixed media, and abstract art, or they were at least able to guess the correct answers for them. I was surprised to see how much they already feel comfortable with coming in. This tells me that when I get to these concepts in the curriculum, students won't need as much time in the lesson to focus on the terms, but perhaps we can spend more time going over examples and brainstorming for their projects. On the other hand, students were often incorrect on the questions about linear perspective, value, art criticism, and cubism. This data seems to match up with what are usually some of the most difficult lessons to teach. Having this information early will help me focus in on these lessons and provide multiple ways of learning. I added a question to my interest inventory that I found to be very helpful in understanding what methods I should use to teach these lessons. When asked which method students preferred for learning a new technique, they preferred demonstrations most often (see below).

Now I know what my students feel more comfortable with, what they will most likely struggle with, and how they learn best. With a class of 260 students, trends in data are very important to pay attention to! I will use this data to guide my instruction and look forward to seeing student growth at the end of my semester.